How much closer does Deafman Glance get him? “I’m on a long flight for sure. I’m trying to get on a fucking rocket to get shot into the sun,” he responds. Which begs the question, where is Walker going next? “When you put yourself in the universe of trying to sound like those old folk records, you limit yourself to that universe. I want to be inspired by tradition but never based in it.” “I don’t fucking care about record collectors, I don’t care about tradition. When we go back to his previous traditional folk sound, he’s unequivocal.
The switch back to humor feels like deflection. This guy right here is fake it until he makes it.” It was largely recorded at the Minbal (now JAMDEK) Studios in. That’s the career trajectory I was heading on. Deafman Glance is the second Ryley Walker album produced by LeRoy Bach and Walker himself. “If I was my true self I’d be stealing my extended family’s pain pills from their fucking medicine cabinets and smoking a carton of pall malls. Walker may switch between experimental innovator and wisecracking clown, but neither are where he thought he might end up. “It’s funny when people are like, ‘You work non-stop.’ I don’t know man, the last two weeks all I did was drink beer and sit on my couch.” “I’m totally the laziest person I know,” Walker admits.
“I’m sitting on eight or nine different records right now.”ĭespite this, he denies being a hard worker. Songs such as “Telluride Speed” and “22 Days” are another step forward, stretching folk foundations with prog flourishes and layered instrumentation, and it’s apparent this is only the start. This is apparent across a record that feels only vaguely familiar. It opens up a lot of doors to get to weirder territories of music.” I’ve always wanted to make records like this but never really had the gall and wherewithal to pull it off,” he says, before making clear this isn’t a temporary diversion either.
#Ryley walker deafman glance free#
“I’ve always enjoyed free jazz and improvised music. His fourth record, Deafman Glance sounds like Walker, but not the Walker of old. It’s even more apparent now he’s stepping away from the traditional folk sound he first made his name with, adding in a looser, more improvisational feel.
I’d love to see the bands that complain lift a fucking couch up a flight of stairs.”Īs much as Walker lapses into this chatty and funny persona, there’s a haunting quality to his music. “My dad is 60 and wakes up at five everyday to work on cars. That’s typical of Walker who is both dedicated and individualist and loves his craft passionately to the point he gets annoyed when bands complain about how tough touring life and opening sets can be. “I guess some people might find it stupid but fuck ‘em,” the singer/songwriter/guitarist says. He also takes time to chat to the audience, mixing rambling stories in with profane jokes, and he doesn’t care what you think. Telluride Speed, Ryley Walker, Deafman Glance (2018) Believe it or not (for those who only know me in Vermont), there was once a time where I was very in-tune to the indie rock world, and was really on top of great up-and-coming bands and new releases. As anyone who have ever experienced it knows, a Ryley Walker show is never just about the music.
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